A Santa Monica Mountains Summer Solstice Sun Sets

Just wanted to share a couple of images of this year's Summer Solstice sunset from the Santa Monica Mountains and wish everyone (in the Northern Hemisphere...) a happy wonderful Summer 2014. Thank you all so much for joining me on this online photographic journey over the past 18 months. I am forever grateful. To learn how to get shots like these, check out my post How To Photograph Sunsets, Silhouettes And Starbursts For Your Summer Snaps!

For more of my madness: Instagram: @wasimofnazareth Twitter: @wasimofnazareth Google+: www.Google.com/+WasimMuklashy Facebook: www.Facebook.com/WasimOfNazareth

Vote For Me!

This is just a quickie...so I entered a couple photos into a contest sponsored by the National Park Service. The opening exhibition is tomorrow, November 2 at 1pm and it will be open through November 24 for viewing and voting. You should go vote for my images. It's nice out there. Grab some wine, a sandwich, and some Oreos. Have a picnic. These below aren't the ones I entered but were taken within a half mile of the place just a few days ago. Voting and the exhibit are at the Anthony C. Beilenson Interagency Visitor Center located at King Gillette Ranch at 26876 Mulholland Highway, in Calabasas, California, 91302

A Bittersweet Happy Birthday to Yosemite National Park...

It's really sad to me that Yosemite National Park is forced to shut down on it's own birthday so a bunch of entitled yahoos can yank each other's gotchas.

I suppose the silver lining in this whole thing is, Yosemite can take the day off on her birthday, for the first time ever! Enjoy this one because, no offense, but I hope you never get that day off again!

Thank you SOOO much for the years of incredible experiences and adventures. I can't wait to celebrate with you, as well as the rest of the national parks, again...

Looks like I took that "3 National Parks, 3 States, 2 Weeks, 1 Crap Bag" trip at just the right time...

Rediscovering The Joy Of Photography Prints

I hit a new milestone with my photography last week…I know this might not sound a like a big deal to most, but to me, it was huge:

I made my first proper art print from one of my digital images.

When I attended Scott Kelby's "Shoot Like A Pro" seminar here in Los Angeles a few months back, one of the perks was that we got a coupon code for a free 16x20 print from one of the sponsors, Mpix, on some madness they call Fuji Pearl photo paper. Regardless, I couldn't bring myself to do it.

Despite the fact that I took photography in high school, my father taught it, we had a darkroom at the school that we'd use on the weekends, he had a darkroom at home that I wasn't allowed to touch, and hell, my first science fair entry was a shoebox pinhole camera, and from all of this, I spent a good chunk of time developing film and photos, all in black in white, none of which I still have before taking off to college where my time got eaten up by…ahem…studying, I held off for a while because I was nervous about how it would come out - perhaps dealing me a blow if it came back and thought to myself 'this is shite!' I had made 8x10s at Costco and they actually turned out fairly well (especially considering the price at $2 per), but twice the size? Never. Will the pixels and my processing hold up?

But I finally suppressed the nerves to a level low enough and for long enough to upload the image and hit 'checkout.' And boy am I glad I did! I got the thing delivered to my door in a few days, opened it and just stared. Smiling. Immediately hit up target and grabbed me a frame for the sucker. I've been so caught up in devices and screens and i this's and i thats strewn about from our pockets to our coffee tables to our desks, I forgot what it's like to hold up a tangible physical print. It felt great. And hanging it up on the wall felt good. Real good. Was actually a nice little confidence boost.

I don't need to say it, but it's pretty apparent photography has come quite a long way since them there high school daze. As has the paper. This stuff was slick, shiny, and elegant. I purposely chose an image (that you've all seen here before) that i thought would best do that sort of feel justice - my 'Slice of Yosemite Layer Cake', an image that has 3 starkly contrasting layers and textures; a background of slick snowy mountainside, a foreground comprised of a set of silhouetted pine trees, and a layer of rolling clouds that just hovered right in between them. Proved the perfect centerpiece for a few other 8x10s from that infamous winter Yosemite trip…

Onward and upwards!! Next stop...canvas?

I Spy With Eye-Fi Lots Of Things That Are NOW IN FOCUS!

Spoiler Alert: Super fan boy mode is about to be engaged. Reader discretion is advised.

Eye-Fi Mobi. 

In a word: frickin' brilliant!

Ok, that was two words. Well, one real word and one, eh…you get the point.

It was a common frustration for DSLR shooters such as myself that the only means of checking for focus and composition is on the LCD screen on the back of the camera, at least until you get home and look at them on your computer and then want to shoot your computer in the face because that critical point was actually in soft focus!

Sure, that's a huge step up from no screens at all and having to wait to get the prints back from a lab hours, or even days, after, but still, this is 2013, and we're demanding madness, so Eye-Fi has delivered, well, madness (optimized for mobile of course).

So I was recently sent to photograph some rental cabins on property in the National Forest bordering Yosemite, and I've been reading and hearing so much about this bugger that I figured it was finally time to make an upgrade to my camera bag that I can afford. Their new Mobi card was right within that budget. 50 smackeroos.

Verdict?

Best thing ever. Well, that and tacos.

For those of you that are unfamiliar with the basics of what it is and what it does, the Eye-Fi is an SD memory card for you camera. The magic in it rests in what else it contains - wi-fi, effectively turning it into an adhoc wifi network between your camera and your mobile device, be it a smartphone or a tablet.

Why? Well, when you snap a photo, it automatically send the jpg version to your mobile device. GONE are the days of the 2 inch LCD monitor and RUE THE DAYS of excitedly uploading your recent batch of photos only to realize the BOOM one wasn't in focus. Now, you can immediately, no matter where you are, use your mobile device as the viewer screen for your shot as soon as you take it. Not only that, but if you feel so inclined, you can now immediately Facebook/Instagram/Twitter/smoke signal your DSLR images from your device as if you shot them on your phone...

For my process, I set the Nikon D7000's LCD screen to show just the histogram, and then used my iPhone as the viewer screen to check for critical focus and composition. It took me 5 minutes to set up in a taqueria parking lot, and now it never leaves slot 2 in my camera. While the Mobi is designed for mobile use, if you'd like a version where the RAW images can be sent directly to your computer as well, they have the ProX2 version that covers that base!!

The one thing that took me a minute to figure out was that I shoot in RAW in order to post-process later in Lightroom and/or Photoshop, so wasn't sure how that would work, but a quick Google search gave me the 'duh!' answer to shoot RAW+JPG. Then it beams the jpgs to your device, and you have your RAWs for later. The Nikon D7000 conveniently has two slots, so I set it to shoot RAW to slot 1, and JPG to slot 2, and that was that.

And the slideshow below is a selection of what happened.

For the full blog posts on my escapades in the Sierras (less fan-boy, more gushy), start here with part 1:

Far Meadow - A Photo Trip? (Part 1)

Ok then.

Now go and get your Eye-Fi card by clicking here.

And for more of my madness: Instagram: @wasimofnazareth Twitter: @wasimofnazareth Google+: www.Google.com/+WasimMuklashy Facebook: www.Facebook.com/WasimOfNazareth

Late Night Fun With Photo Filters…and Scotch.

So had a house I had to shoot this week for Airbnb. It was actually the second of two units on a property I shot before, but I hadn't seen the second unit as it was occupied that first time. Anyway, not important…so after I was done shooting the interior, I figured, no one was here, I was going to take advantage of the moment and just kind of chill for a minute. When you're standing on a deck with nothing in front of you but a gorgeous canyon that opens up to the Pacific Ocean (see image at bottom of this post), it's hard not to force yourself to take a break and soak it in. So as I sat down and took a few gulps of my warm ice tea that had been sitting the car since I showed up, I saw this ridiculously quaint and charming little candle holder with a pile of little rocks alongside it, being draped PERFECTLY by a grapevine. And when I mean, perfectly, it's as if it was staged. For some reason, my imagination took me to the Mediterranean coast, perhaps Spain, maybe Italy, I don't know, but my wanderlust got the best of me and I started snapping a few shots of it as if I was actually on that coast. So when I got home and started processing, I began doing what I normally do…Lightroom…Develop pane…etc…and I just wasn't feeling it. None of it. To top it all off, my favorite shot as far as composition wasn't exactly exposed too well. But I figured, let's see what we can do with it anyway…let's hit the 'reset' button.

First step..grab a glass of scotch and a chunk of smoked gruyere cheese (hot damn, if you haven't had smoked gruyere cheese…you haven't had cheese!).

Second step…lean back a bit and let's look at this from a different set of eyes.

Third step…NO! Not a different set of eyes…let's look at it exactly with the eyes that I was looking at it with when I snapped the shot…my imagination.

Fourth step…refill scotch.

Fifth step…get crazy.

And what you see up above here is what came of the madness.

Yeah, it has a lot of filters, yeah, it's super processed, and yeah, I added a flame! But I had to remind myself that it's okay!

So my favorite composition of the thing was one of the poorer exposed shots. So I felt the need to do something to 'cover up' what otherwise would have been a throwaway. But that's only one way of looking at it...

The other way is that, if I processed it the way I normally do with my normal workflow, then perhaps it wouldn't have worked, and if it did, I would have had a decent image, but not the image that was in my mind as I was taking that picture. It took me having to find a way to 'cover up' a poorly exposed photograph to tap into the creative side of me and find a way to get closer to that visual I was envisioning as I was shooting it.

I guess my lesson here is to not be afraid and not really give a mouse fart about what anyone might think or what any purist might criticize. I get so wrapped up in what's 'right' and what's 'proper,' I often forget that, well, there's really no such thing in art.

I suppose certain things do happen for certain reasons. This time something happened to remind me not to take things too seriously and to do what got me so passionate about photography to begin with…have fun.

And c'mon...you have to admit, that final version of the image above is kinda Mediterraneany...

Boom!

From Frustration to Elation - Photography Therapy

Just another small reminder that patience, adaptation, and going-with-the-flow can pay off. Finished a gig yesterday and turned to get on the freeway to get home. It was packed. Nothing but an endless sea of red brake lights. My only other option was to add an extra 15 miles to my trip by driving through the hills on a side road that runs parallel to the freeway. So I said screw it…that's what I'm doing. Would rather look at the hills than a million other cars on the 101. Not only that, but the sun was getting ready to drop behind the mountains…and that's enough to turn on any photographer.

So there I go, drove past the freeway entrance and into the hills. As soon as I was out of sight of the freeway madness, the initial frustration of adding time and distance to my drive home melted away…immediately! And when I say immediately, I mean IMMEDIATELY - I went from frustrated and tense, to calm and relaxed in significantly less than an instant. Told myself that I had to somehow document the day and moment with an image to remind me of that mental transformation and how powerful a simple trigger can be to the mind.

So with that...this is what I found just as the sun was getting ready to drop behind the hill. I know it's nothing special, and hell, I don't know what Fox Creek Farms even does, but the lighting, the fence, and the situation made it seductively charming to me. And taking that picture made me smile. And standing outside in that sunlight made me smile. And quite honestly, that's what this photography thing is to me - a reliable impetus to get in a good headspace, no matter what's going on outside that viewfinder. Sometimes it's the process, and not the image, that's important.

Plus, sure as hell beats sitting in traffic.